jump to navigation

Ray Davies, Hammerstein Ballroom, NYC: I’m a cut price person in a low budget land December 12, 2008

Posted by Anton A in British music, Ray Davies.
Tags: , ,
add a comment

The only problem with a Ray Davies show these days is the exit music. Instead of humming one of Ray’s most excellent tunes, I always find myself singing “I’m walkin’ to New Orleans” on my way home. Maybe that’s the point.

There’s little I can say about Ray that I haven’t said already; I simply love this man and all the great music that he and The Kinks have given us.

Friday’s show at the Hammerstein was three songs shorter than the April extravaganza up at the Beacon, but it was also more intense, with the addition of guitarist Bill Shanley ramping the performance up to another level. It was just Ray & Bill sitting on stools with acoustic guitars for the first nine songs. Bill then picked up his electric for Sunny Afternoon. The bassist, other guitarist & lovely but inaudible backup singer joined in for the next two before the full band hit the stage.

It was lovely to hear Starstruck, a rarity from the Village Green Preservation Society album, and See My Friends, a haunting raga-tinged tune from 1965. Ray told a poignant little story of how he wrote the song, about the death of his sister, after watching fishermen casting their nets out on a river in India.

It was another special thrill to get a full electric version of Johnny Thunder, which segued right into Village Green Preservation Society. The band really rocked Low Budget – that song’s time has come round again after all these years. The two songs from the Arthur album, particularly the rarely played Shangri-La, took the encore set out on a high note.

Here’s the full set of 24 memorable songs:

acoustic duo:

I Need You, Where Have All The Good Times Gone?, Father Christmas, Apeman, Starstruck, I’m Not Like Everybody Else, See My Friends, Dedicated Follower Of Fashion, Morphine Song

acoustic/electric duo/quartet + backing vocalist:

Sunny Afternoon, The Getaway, Dead End Street

full band:

Vietnam Cowboys, Celluloid Heroes, Workingman’s Cafe, Come Dancing, The Tourist, Johnny Thunder / Village Green Preservation Society, All Day And All Of The Night, Low Budget

encores:

Shangri-La, Victoria, You Really Got Me

Advertisements

Ray Davies, Beacon Theatre, NYC: I’m not like everybody else April 8, 2008

Posted by Anton A in British music, Ray Davies.
Tags: ,
add a comment

Ray Davies really brought it all for the New York crowd at the Beacon last Tuesday night. Still looking lean, lithe and limber, he shimmied, pranced and writhed his way through a spectacular 27-song romp that lasted for a magical 2 & 1/2 hours. He took great delight in working the crowd up to his standards for the sing-along tunes. With a new well-focused band behind him, he delivered his old and new songs with humor and passion.

The opening chords of a fierce I’m Not Like Everybody Else set the stage; a couple of Kinks classics triggered some thrills, and then the glorious riff and melody of After The Fall from the Other People’s Lives album took us a little higher. For The Tourist, Ray sported a Union Jack-patterned blazer; after the song he pulled it off and flipped it around to show us that it was a reversible with the Stars & Stripes on the other side. Ever the vaudevillian is Ray.

It was a real kick to hear 20th Century Man before the intermission. We briefly discussed the show’s only failing: much of Ray’s between-song patter was a mush of indiscernible words. Somebody needed to cut the reverb on his mike, I think. We missed a lot of stories and humor that Ray was putting out there for us.

But the songs, my gosh; I never dreamed that we’d hear a crescendo like we got in the second set. Ray opened with five songs from the newest album, just him on the acoustic and his guitarist for the first two, beautiful tunes both. The rest of the band came back for Vietnam Cowboys, which has a nifty beat; Ray explained how he wrote the song at his Jane Street Workshop shows in 1999 but felt it was the wrong time to record it.

Ray’s band features an excellent drummer, a talented bassist with a monster Ampeg cabinet, and a Swedish fellow playing a Nord synth who had a great touch with every song, delivering fills and washes in just the right places all night, making it seem like he’d been playing those songs for as long as they’ve existed.

A quick two verses of Fancy signaled the home stretch of Kinks material, six more classic songs in all. Sunny Afternoon was a delight and another huge sing-along; Ray introduced it with a story about how he didn’t think it was much of a song when he wrote it & vowed not to perform it unless it went to #1, which somehow it did. (The crew seemed finally to have cleaned up the between-song sound at that point.) The Swede switched to accordion for a rollicking rendition of Come Dancing. Tired Of Waitng, Set Me Free, All Day And All Of The Night were all delivered with authority and gusto.

Then came the incredible series encores. First they hammered us with a hard-rocking, stretched-out version of Low Budget, which turned into an insanely loud sing-along. What better song for these times?

They stomped off to thunderous applause and came back almost immediately. Ray strummed a few chords from Waterloo Sunset; the theatre erupted. He got us singing the “sha-la-la” parts over & over again till we were all hovering over the Thames at twilight & drifting away to paradise.

The obligatory Lola followed, delivered with more bite than I’d expected. We all sang that one too. Days was stunning; I loved the way Ray sang the first verse completely a capella, delivered the next as an acoustic version & brought in the full band to finish it off, a mini-crescendo that echoed the larger one building in the hall. Imaginary Man, my personal fave from the new album, was next; it’s a slow, contemplative, lilting tune with the “imaginary” backing vocal perfect for another crowd sing-along; beautifully placed and paced.

The band pummelled us once more with, what else, You Really Got Me. That seemed to be it for the night; Ray’s signature walkoff song, Fats Domino’s Walkin’ To New Orleans, came over the speakers as the band left the stage. But no: Ray ran back out to the front mike, yelled “Stop the music! Stop the song! We’ve got time for one more! What do you want to hear?” I suspect he knew exactly what we were going to hear but it was a nice touch. The band came back one last time and they tore into a rocking, thrilling Victoria. I checked my watch when the song ended; Ray had taken it right up to the Beacon’s 11:00 curfew.

This was simply one of the best shows I’ve ever seen, encompassing so many great songs that have punctuated memorable moments in my life for 44 years. I’ve always felt a particular affinity for Ray’s voice, words and melodies. I thank the gods that they are all still here with us.

The complete setlist:

I’m Not Like Everybody Else, Where Have All The Good Times Gone, Till The End of The Day, After The Fall, Well Respected Man, Dead End Street, The Tourist, Working Man’s Cafe, 20th Century Man

intermission

In A Moment, One More Time, Vietnam Cowboys, The Real World, No One Listen, Fancy (abridged), Sunny Afternoon, Come Dancing, Tired Of Waiting, Set Me Free, All Day And All Of The Night

First encore: Low Budget

Second encore: Waterloo Sunset, Days, Lola, Imaginary Man, You Really Got Me

Third encore: Victoria