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Early Elton Trio, Rockwood Music Hall, NYC: Seeds shall be sown in New York City February 25, 2012

Posted by Anton A in American music, Early Elton Trio.
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Folks who’ve been following along here have already met John Conte and Jeff Kazee, of Southside Johnny’s Asbury Jukes and Poor Fools, and Rich Pagano, singer and drummer in Prisoners Of Second Avenue.  Not content with juggling so many projects, these three talents periodically team up as the Early Elton Trio.  Their name is pretty much self-explanatory; they re-create the earliest Elton John tours, when Elton first went globe-hopping as the head of a power piano trio along with bassist Dee Murray and drummer Nigel Olsson.


Jeff, of course, pounds the ivories.




John holds down the bass end




while Rich fires every song with his adroit drumming.




John displayed heretofore unknown skills on the mandolin for a heartfelt rendition of Country Comfort.



It was a night for reviving old memories, singing along and dancing to a host of fine old songs in a small, convivial room.  The Early Elton Trio attracts a friendly, enthusiastic crowd.  I look forward to their next gig.



The setlist: Ballad Of A Well Known Gun, Burn Down The Mission, Levon, Border Song, No Shoe Strings On Louise, Tiny Dancer, Son Of Your Father, My Father’s Gun, Mona Lisas And Mad Hatters, Country Comfort, Dirty Little Girl, Madman Across The Water, Friends, Bad Side, Take Me To The Pilot.


More pictures can be found by clicking this link.


Southside Johnny & the Poor Fools, Sharp Theater, Ramapo College, Mahwah, NJ: I got a soul that I won’t sell January 27, 2012

Posted by Anton A in American music, Southside Johnny.
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Southside Johnny began a new performance project late last year, dubbed Southside Johnny and The Poor Fools. They’ve played ten shows now; more are scheduled in between Jukes gigs. The new venture delves into the sort of acoustic-electric roots rock / Americana that one might associate with The Band, Bob Dylan, latter-day Hot Tuna, and various Brothers acts (Wood Brothers, Felice Brothers). It’s both a departure from Jukes music and a natural extension of Johnny’s catalog.


With the Poor Fools, Johnny performs more songs by other artists than with the Jukes, as well as imaginative reworkings of his own material. The endeavor sheds new light on Johnny’s roots and adds perspective to the familiar tunes; the segue from Spanish Harlem into I Don’t Want To Go Home, for instance, lets you hear directly the relationship between the two songs, in particular the bass line.



The Poor Fools started out last year with current Jukes Jeff Kazee on keys




and John Conte on bass,





plus guitarist Tommy Byrnes (music director and guitarist with Billy Joel) and violinist Soozie Tyrell.

With Soozie off preparing for the upcoming Springsteen tour, Neal Pawley has stepped in from the Jukes to play guitar, mandolin, banjo, drums and occasional trombone.



Everyone in the Fools plays pretty much everything at some point in the evening; as my friend Mike said, these guys are “scary talented.”






They all took turns on the drums except for Johnny (it’s rumored that he has some talent even there but we weren’t to have that treat).



Johnny played bass on one song,





Tommy Byrnes hit the keyboards on a couple of tunes,




Jeff Kazee stepped out on accordion a few times….




It’s an amazing display of musicianship.




The set list:

Just Like Tom Thumb’s Blues, Postcards from Hell, Cross That Line, All the Way Home, Little Calcutta, Love on the Wrong Side of Town, Down Home Girl/Something You Got, Can’t Let Go, Aint No Free, Beneath Still Waters, Bartender’s Blues, Ophelia, The Fever, Spanish Harlem/I Don’t Want to Go Home, Umbrella in My Drink, Rosa. Comes to Me Naturally, Strange Strange Feeling, Trapped Again


Walk away Renee, My Old Kentucky Home (Turpentine and Dandelion Wine).

The Poor Fools are a quieter, more laid back experience than a Jukes show, but no less engaging or soul-satisfying. I can tell that this outfit is going to be as essential to my psyche as the Jukes are these days. I look forward to many more shows.


More photos, 75 in all, can be found here.

Joe Hurley’s 12th Annual Irish Rock Revue, Highline Ballroom, NYC: Stoned me to my soul March 12, 2011

Posted by Anton A in Irish music, Joe Hurley.
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Joe Hurley, a London-born Irish fellow, has become fixture of New York’s East Village rock community over the last two decades. For the past dozen years, he’s organized and staged an annual Irish Rock Revue where a cavalcade of musicians, writers, poets and artists spend four hours or so performing a wide variety of Irish (loosely defined at times) songs, with maybe a couple of non-Irish tunes thrown in for good measure. I became aware of this event only two years ago; this was the first year I managed to attend. I regret that it took me so long; the night left me with a huge grin on my face. There’s no better way to celebrate the imminent arrival of springtime.

The show was anchored by the rock-solid Revue band. From Joe’s comments during the evening, I gather that guitarist / keyboardist Jon Spurney serves as the show’s musical director, as well as delivering some fine onstage chops. Mark Bosch, the lead guitarist in Ian Hunter’s Rant Band and a musician I’ve long admired, held up his end with his usual combination of style, aplomb and taste. Sal Maida was superb on bass, as was Steve Goulding on drums. Kenny Margolis had a deft touch on keys and accordion. Megan Weeder wove the lovely lilting sound of her fiddle through the night’s performances, adding that essential texture that let you know you were at an IRISH rock show.

A long parade of stars delivered splendid individual performances. My three sentimental favorites:

1) Dennis Dunaway (original Alice Cooper bassist) and Albert Bouchard (former Blue Oyster Cult drummer), who now form 2/3 of the fine hard rock band Blue Coupe (with Albert’s brother Joe, also a BOC alum, on guitar) took over the rhythm section for two songs with the Revue Band. The fabulous Tish & Snooky, who delivered backup vocals & dance moves from the front of the stage all night, made sure to give Blue Coupe a shoutout.  The ensemble  performed a stirring rendition of U2’s Hands That Built America, with Marni Rice & Charlene McPherson sharing the vocals, and then went into a ripping School’s Out, with Joe Hurley taking over the lead vocal. (Joe didn’t forget to remind us, twice, that Dennis D. was born in Arizona, but of Irish parentage.)

2) Jeff Kazee, keyboardist and vocalist in Southside Johnny’s Asbury Jukes, played keys on a couple of tunes, and worked the stage as front man on an extended Van Morrison’s Domino, energizing the night with his fiery tenor voice and lithe soul-man moves.

3) Gene Cornish, from the Rascals, gave the room a lesson in how to play rock & roll Strat; his performance of Good Lovin’, sharing vocals with the energetic Victoria Levy, stripped away the decades and got everyone shaking & moving. When Gene announced that The Rascals are back together for the first time in 40 years, I felt excited. Yes, there’s some nostalgia there; they headlined my first rock & roll show, back when they were known as The Young Rascals; but based on this performance, I bet that they will still deliver the goods.

There were so many other fine moments. Tami Lynn gave a soulful peformance of another Van Morrison tune. Someone, somehow, had got their hands on the recently passed Gary Moore’s turquoise-colored Les Paul; Ricky Byrd, from Joan Jett’s band, played it, starting out with a series of solo blues lines which segued into Thin Lizzy’s Cowboy Song. The classic The Boys Are Back In Town followed, with Mark Bosch & Jon Spurney evoking Lizzy’s signature harmonized lead guitar sound in splendid fashion.

Niamh Hyland sang a haunting solo a capella version of the folk song, Greenfields, which almost completely hushed the room. Michael Fornatale gave an energetic rendition of Come On Eileen that had the whole room dancing.

At break time for the Revue Band, we were treated to a fine set of Joe singing several of his own songs with his band, The Gents, who have the estimable Tony Garnier on bass when he’s not on the road with Bob Dylan; we were lucky that Tony had this month off.

There were 46 songs in all; I’m obviously glossing over a lot of songs and artists. There’s more detail on Joe’s website and the Revue’s Facebook page. The grand finale had virtually everyone on stage for the Sex Pistols’ God Save The Queen – as Joe pointed out, John Lydon’s parents were born in the same village in Ireland that his own family came from. That’s what Joe said, anyway. There’s always that Irish connection if you look hard enough.